Sunday, February 18, 2007

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PIXELAZO




Creating meetings to share ideas and knowledge between North ...
* SurCulturas OccidentalBarrios ancestral * Popular Culture * Creative Networks internacionalesNatural / Professional * Digital / SintéticoLo-tech * High-techLento * Fast
Pixelazo is node Pixelache Colombian festival that began in Finland in 2002 and since then has taken place in Stockholm, New York, Montreal and Paris. Pixelazo is a festival that promotes the arts or visual expression, born of new technologies and new media. The festival has a strong educational component, 80% of the activities are forums, conferences, workshops and talks territories. The Festival aims
Pixelazo massively in the city of Medellín, knowledge about the experiences and expressive opportunities arising from new technologies. The aim is to report on this movement "cultural" or "art" that is being developed worldwide and invite the public to take ownership of new media and new technologies within the context of cultural and community life in Medellin.
Session 1 - MEDELLIN - COMMUNE 13Anfitriones: Siglo XXI Communication RIDERS OF THE IMAGE
New technologies applied to video February 27 to March 3
With the development faster processors and digital video are born specialized software to install or edit live video. These technological improvements allow for a renewal at the level of experimentation with video. Very quickly increased presence of video jockey 's that accompany the DJ' s video mixing to the rhythm of the music in clubs in the world. At the same time, the cultural environment starts a new movement, which audiovisual s performance eg a musician working with a videographer and programmer combine software, hardware and assembly drawn screens to create a presentation where complex and ephemeral sensations precedence over linearity. Although this new form of movement and expression this growing worldwide, it remains unknown to the general public. In Colombia and is known in the world of disco and electronic music festivals, but attempts at the level of real live audiovisual s performance has been limited.
http://www.pixelache.ac/2007/pixelazo

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