Tuesday, February 27, 2007

Temperaturesensor Body

ENDO-ARCHITECTURE. CONFERENCE

Endo arquitectura:
el desarrollo de sistemas arquitectonicos donde el observador se vuelve parte de el
la lectura hace referencia a lo ´´EXO´´ and ENDO''exo''what is the result of industrial culture based on relationships with machines.
The endo talks about post-industrial culture based on the information, leading to endoarquitectura watchers to watch a reality over time, as human beings can move from a perception Aseptic a phenomenological perception, analyzing the context.

Monday, February 26, 2007

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media art. UNIVERSITY OF ANDRES. FIELDWORK


art after the media: Kunst with cultutral dienimagen dienkunst for the past according to the different disciplines and they required mobility compared to the epocateoria spersonas Ritter: cosmos magnetic ''all that exists is through the electrico''mi body is where I check my teoriasejemplo Laboratory: UV, ritter small sticks was placed in his eyes and saw the sun for a period of time, then said the concept of the range of colors described according to their experience through the sense of view.

Ritter:

1 City ............. 4d

2 3d sculpture ....

3
painting ... 2d ....

------------------

4 sound n music

ACTIVITY point ...... basis for art history

1 City: urban life, everyday human activities represented in 4d onjetos

2
sculpture 3d objects related to the way the body forms of expression

3
painting: is defined as half the space

4 levels: the world itself is filled with sounds of music and takes the concept of physics such as music, opening up new ways of interpertar the reality of someone or something.

media art: this concept differs from the dynamics by time and the physics and art is an art in time for late humanidada appeared
18
........................ Art media

Kunst .... ...... before
mediate
Kunst ............ ...... to mediate

Kunst ............ ...... by
medien Kunst
...... after
de.medien

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.




OUR COUNTRY BEGINS WORK FOR THE NORTHERN SECTOR OF THE CITY OF SITES AS WE WERE IN BOGOTA CHIA, LA 82 (ZONA ROSA) 93 AND DOING A RESEARCH ON HOW IS THE RUMBA EN BOGOTA AND ARE AS WELL AS THE COMMUNICATION BETWEEN DIFFERENT TYPES OF PEOPLE IN AND OUT OF ESTABLISHMENTS.
IN CONTRAST WITH THE ESTABLISHMENT OF THE CENTRAL AND FOUND CHAPINERO SECTOR IS VERY DIFFERENT TYPE OF PROMOTION OF PLACES, IT'S VERBAL COMMUNICATION AND PEOPLE gestural CRIES AND JOY TO STOP ON THE STREET IS A BAR AND ADVERTISING MEETING PLACES FOR PEOPLE IN THE FIELD AND UNIVERSITY STUDENTS 82

PHOTOS IMAGES FIELD WORK: IN THE NORTHERN SECTOR RESEARCH FOUND THE PROMOTER AND CUSTOMER RELATIONSHIP THROUGH THE USE OF THE NETWORK AND PROMOTE THEIR BUSINESSES AS MISCELLANEOUS RUMBAS THROUGH WEB PAGES AND ADVERTISING TO THE POST OF USERS

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LOCATION OF POINTS OF FIELD WORK IN THE CITY OF BOGOTA


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FIELDWORK.

OBJECTS AS CLASSIC interact and communicate with people without necessarily having a technology factor''WHAT IS THE MODERN CLASSIC''


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Bogotrax. LAB - U.


Bogotrax February 15 to 25 2007 2007 Tuesday, 20
pi3o three cultural center



talk technology by Andrés Burbano:
were present at the independent festival of electronic culture in a very interesting talk led by Andrés Burbano, who I speak of the relationship of technology, culture and as is linked to everyday life and how both influence a person's daily life reflective talk on the current technology applied to our country.

are talking about 3 important ways: the life, culture and technology as the historical development was for the technology since its inception help people to communicate and share information, we had the opportunity to see the example of a bicycle in Caqueta functioning as radio station, which was a bicycle built for two people with a huge antenna and all the elements to convey information in a space

Thursday, February 22, 2007

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Technoculture, edited by Lelia Green and Matthew Allen




Matthew Allen: Desiring the Interface: Introducing technoculture In introducing the eight papers that constitute the theme of technoculture for this issue, I suggest that the diversity in responses to and understandings of the term 'technoculture' is not a weakness but a strength. The diffuse results of technocultural studies reflect the desires for relevance, generality and creation with intellectual discourse which, in technocultural times, enable or require diverse subject matter to be labelled 'technoculture'.
Lelia Green: Technoculture: another term that means nothing and gets us nowhere? This article argues that the term 'technoculture' is frequently used in a woolly manner to refer in a general way to technologies implicated in Western cultures, and to constructions of culture that incorporate technological aspects. The opportunity for the term to convey a specific meaning is lost in the generality of this everyday usage. Arguing from first principles about the nature of technology and culture, the paper suggests that technoculture as a term should be applied to communications technologies that are used in the mediated construction of culture. To be technocultural, the technology concerned must facilitate cultural communication across space and/or time and should, in some way, raise issues of place. Since culture is a construction involving communication and more than one person, technoculture involves the communication of cultural material in technological contexts - which is to say, Other Than the face-to-face. If this definition Were To Be Adopted, future discussions of technoculture Would Indicate That reference to a technology Allows the construction of culture across space and time.




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mind lost .. FIESTA ELECTRONICA


rhythmic fusion of all the elements that nature provided in which the individual focuses, directs and synchronizes all their movements to their religion, and music. People that weekend after weekend, gathers thousands of clubs, with all senses bonded to express what they feel, live solely for that purpose. People sometimes criticized and not understood by their way of life, people who do survive the Techno, creating a unique culture in his honor. One way to express what I feel, a way of life. Live to go to that club, and with forcefulness and definition set dancing to touch the sky and mark you one of your best dance up there among the clouds, floating. With stubbornness, determination and more desire, that Culture Techno that creates the people and crops from the corners of our streets, these clubs, the clothes, those cars ... all created by the smelter metric mixers. And for a second, you're there, dancing at dawn, rhythmic melodies alter every part of your body, a podium, in front of that crowd your giving your all, because this is unstoppable, WE, ARRIVA THAT NOTE! God, just a way of life but, understandable to anyone who does not live and the only way to live for those who test. Sincerely and thanks to DJ ENRG, Electra Writer Electra at June 15, 2004 02:52 PM


Wednesday, February 21, 2007

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DJ `S NO


"Live Bogota are the holidays that beginning this year aimed at promoting the concept of music live electronics by means of live acts (artists who play their music in the moment of the presentation via computers, synthesizers and other electronic instruments) and at the same time raise awareness of the avant-garde musical genres of the electronic scene worldwide. For the first "Live Bogotá", guests are Phonic Request (France) and Siddhartha (Portugal), two live acts specialize in electro house, progressive and psytrance.
The "live acts" are artists who produce their music live in the moment of presentation, with the help of synthesizers, computers, drum machines and other electronic instruments. Thus a live act is different from a dj, since the latter mixes music that has been previously produced in a studio. "The live act generated a deep and intense atmosphere, which brings the artist to the public and the public with music," says Hadrien Laporte, Canadian DJ and one of the creators of Live Bogotá.
The genres chosen for the first Live Bogotá is the Psytrance and Electro house, "are simply the vanguard of the global electronic music scene, the Psytrance is a culture more than a genre and Electro house and is so powerful that only needs artists ... the likes of Phonic Request, one of our guests, to impose in the capital, "explains Hadrien Laporte.


Monday, February 19, 2007

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Bogotrax - LABORATORIO URBANO.




















Bogotrax is an alternative festival, autonomous and independent, which aims to be both an urban laboratory of artistic and social experimentation. With electronic music and related arts as one of the major routes, Bogota becomes the epicenter where artists are the southern hemisphere with their counterparts in the northern hemisphere. Producers, DJs, visual artists and plastics, free software activists, graphic designers, programmers, graffiti artists and jugglers, etc. are freely shared between them and the public what they are passionate. All festival events are free access and free.

Sunday, February 18, 2007

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Erik Sandelin (Sweden)


Erik Sandelin is an international designer based in Malmo, Sweden. In his commercial work, educational and artistic, Erik will critically explore the production of personal action space, the growing role of technology in human intimacy and how it affects the lives and dreams of the people.
Erik has received an award for his work on post-optimal electronic costumes, cars collaborative cured, produced interactive sound installations, given lectures and workshops on design fashion critic. He also works as a video jockey under the name TV-OUT.
www.unsworn.org http://www.tv-out.se/

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PIXELAZO




Creating meetings to share ideas and knowledge between North ...
* SurCulturas OccidentalBarrios ancestral * Popular Culture * Creative Networks internacionalesNatural / Professional * Digital / SintéticoLo-tech * High-techLento * Fast
Pixelazo is node Pixelache Colombian festival that began in Finland in 2002 and since then has taken place in Stockholm, New York, Montreal and Paris. Pixelazo is a festival that promotes the arts or visual expression, born of new technologies and new media. The festival has a strong educational component, 80% of the activities are forums, conferences, workshops and talks territories. The Festival aims
Pixelazo massively in the city of Medellín, knowledge about the experiences and expressive opportunities arising from new technologies. The aim is to report on this movement "cultural" or "art" that is being developed worldwide and invite the public to take ownership of new media and new technologies within the context of cultural and community life in Medellin.
Session 1 - MEDELLIN - COMMUNE 13Anfitriones: Siglo XXI Communication RIDERS OF THE IMAGE
New technologies applied to video February 27 to March 3
With the development faster processors and digital video are born specialized software to install or edit live video. These technological improvements allow for a renewal at the level of experimentation with video. Very quickly increased presence of video jockey 's that accompany the DJ' s video mixing to the rhythm of the music in clubs in the world. At the same time, the cultural environment starts a new movement, which audiovisual s performance eg a musician working with a videographer and programmer combine software, hardware and assembly drawn screens to create a presentation where complex and ephemeral sensations precedence over linearity. Although this new form of movement and expression this growing worldwide, it remains unknown to the general public. In Colombia and is known in the world of disco and electronic music festivals, but attempts at the level of real live audiovisual s performance has been limited.
http://www.pixelache.ac/2007/pixelazo

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MusicStrands, SHARED THE DISCO. Angel Falls


An online service to create a community of users to share tastes, recommending music and discovering new artists MusicStrands is a service to discover, share and organize music launched, in beta (testing), last February. It is a huge online music designed to create a community for sharing musical tastes from playlists, ratings and recommendations, where you can also discover new music, listen (30 seconds) and buy (via links to stores music where available).

How it works

MusicStrand is a free service. Simply register to access personal folders "My Music, 'My Recommendations and' My Influences." No pre-registration can explore the music catalog by genre or artist and browse through playlists created by users. The catalog contains about five million titles and provides information about the artists, a short biography, in English and their valuation, discography, music and tags (tags) related. Music Community

addition to searching the catalog and listen to 30 seconds of almost every song, the service is assembled around playlists created by users. You can create as many playlists as you like (or upload them from iTunes), share with the community, rate those of others and meet people with the same musical tastes. The 'best' playlists for each day appear on the homepage.
Music is classified by tags (labels), a widely popular service that uses as
del.icio.us (for storing and sharing online a favorite), Technorati (search weblogs) and Flickr (for sharing Photos on the Web). MusicStrands the tags defined in music with the words chosen by the users, which can refer to the type of music, places, mood ... and can be applied both to the songs as albums or playlists. These tags create a sort of directories to discover new music.
Please see 'My Wish' can store songs and albums you're buying below or visit friends for matching gift. Each topic or disk MusicStrands is linked to partner stores, online or physical, such as Amazon, Buy.com, Web Disk, iTunes or Walmart, which can be purchased.


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designed as a unit full of modules that can open or close, letting flow space, this restaurant under the Park 93 also is a place to party for up to two thousand people.
site design is like "a unit with independent environments, built with materials that speak volumes about the city."
Anyone who comes to eating, chatting and partying have the option to choose if located on the terrace overlooking the park, in another type lounge with sofas, cushions, rugs in the middle of an indoor garden, facing the various bars in place , one with swings that have replaced the traditional seats ... The possibilities abound and the space too. The site is designed to accommodate 2,000 people.
Elevated several feet above the floor, is the central hall that serves conventional dining room with tables and chairs without decoration but red checkered tablecloths and white ceramic salt shakers hand painted, large metal cylindrical lamps, designed by architect Guillermo Arias, and brick. Upstairs
, and after an intermediate level, a large liquor bar topped by a row of televisions ends on one side, a living room sofa looks like a library or playroom. An original and fun touch to a different environment, you are asleep at lunchtime and just beginning to wake up with the arrival of the afternoon and evening, when visitors sit for a drink in the hanging swing chairs Ceiling supported by thick ropes and giving it a playful air to the traditional bar atmosphere. Higher still, another space is striking: a terrace-bar, intimate and welcoming, it only works on weekends.
From 12 noon, El Salto del Angel is a restaurant. In the afternoon, the terraces are turning brown and night, the bars are transformed into bars. The doors open, the terraces are integrated, the atmosphere heats up and the lighting changes.
treatment of light is the main theme of this restaurant and party places, as in most of their designs. No matter what time of day when the sun angle and intensity changes, light artificial stays on, qualifying the use of each site environments and to characterize each of its spaces.
The music depends on the hour, the day is part of the fund, but at night gives way to the rumba. Many stairs and levels are the jump was to take advantage of the site and view an architectural unit that allows space to flow from inside to outside and vice versa.

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LED SCREENS, THE NEW WAY TO ADVERTISE. RECOMMENDED SITES


He arrived an alternative form of advertising using a LED display technology in a "circular Totem" in which there are three in which viewers can view messages traditional video and animation in three dimensions, at the same time, and that can be located in malls or high afluencia.En more pictures, which work like televisions, images can be seen from the advertisements with full clarity and can transmit messages to customers in real time through WI-FI or cable.De Thus, according to Ana Maria Correa Velez, Marketing Manager of Digitalis may be ads in interactive content and advertisers. The idea is to generate traffic messages to the shelves - shelves or cabinets - the pautantes, with products or promotions we have at the moment, ie information retail.Así the same, will corporate content to generate a direct contact of people with the brand, showing the benefits of this and its products or services. Also, as in the commercial, including the time and news content combined with advertising as tal.Actualmente these screens are available in northern Bogota Unicentro, which highlights, among its advantages, location in the corridor traditional focus of this commercial center of the capital, at the entrance of cinemas and Store near Éxito.La company responsible for providing this alternative advertising is Stevital Organization SA, through its unit alternative, these screens mounted Digitalis.Próximamente in Salitre Plaza Mall, in West Bogotá.Entre customers of this company are the DIAN, Secretary of Finance and Tigo, among others.

Monday, February 12, 2007

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... BARS, RUMBA, BOGOTA ....




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THE SEDUCTION ... URBAN neo-primitivism

can say that the rumba is a place where you can search for sex without commitments, without ties and with a full load of sentimental over the thrill of the conquest of the anxiety that causes the loss. Certain moral ideas that are still observable in Bogota, generate value judgments in the imaginary structure of society, one of those ideas is one that sees pleasure as something vicious and low. Certain groups may be considered rumba imagination as more or less promiscuous, may appear on the map of the rumba and more comprehensive sexual license. Regarding gender, sexual promiscuity does merit to qualify men and women within a social and moral light, a convenience.

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..... BAMBINO

A set of mental constructs in society who have a strong resemblance to the behavior of primitive sociability: territoriality, jealousy, hierarchy, identification badges, symbolic codes, "hyper-collective"
The term tribe, some researchers have referred to forms of sociability are based on elementary ideas of identity and association), these elements of identity can also be assimilated by individuals outside the tribe, nomads who lead these symbols from one sphere to another. Such behaviors appear to be rooted in urban social imagination and be made in this or that role assumed by the individual, in the case of the rumba, when the average citizen becomes rumba. The rumba is marked by the confrontation of the tribal and the modern in a context where the tribe is identified with traces taken in different cultural and cross is not an archetype but as a practical reality of urban sociability.

http://www.geocities.com/zonadetolerancia